Archive for the “Lectures” Category

Today we reviewed the previous three weeks of the semester.

The fourth (and last) quiz will be on Monday, December 15th.

Readings:

  • Chapter 19: Abstract Expressionism and the New American Art
  • Chapter 20: Postwar European Art
  • Chapter 21: Pop Art and Europe’s New Realism
  • Chapter 22: Sixties Abstraction

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We concluded the semester by looking at pop art.

Richard Hamilton "Just what is it that makes today's homes so different, so appealing?" 1956

Richard Hamilton "Just what is it that makes today's homes so different, so appealing?" 1956

We focused primarily on works by Robert Rauschenberg,

Robert Rauschenberg "Estate" 1963

Robert Rauschenberg "Estate" 1963

 

Jasper Johns,

Jasper Johns "Flag" 19554-55

Jasper Johns "Flag" 19554-55

 

Roy Lichtenstein,

Roy Lichtenstein "Whaam!" 1963

Roy Lichtenstein "Whaam!" 1963

 

and Andy Warhol.

Andy Warhol "210 Coca-Cola Bottles" 1962

Andy Warhol "210 Coca-Cola Bottles" 1962

 

 

Viewings:

Readings:

  • Chapter 21: Pop Art and Europe’s New Realism

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This lecture we reviewed some of the major trends in European art after the second world war by looking at the art of Jean Dubuffet,

Jean Dubuffet "Dhotel nuance d’abricot" 1947

Jean Dubuffet "Dhotel nuance d’abricot" 1947

 

Jean Fautrier, Alberto Burri, Lucio Fontana,

Lucio Fontana "Concetto Spatiale" 1959

Lucio Fontana "Concetto Spatiale" 1959

and Francis Bacon.

Francis Bacon "Painting" 1947

Francis Bacon "Painting" 1947

From there we moved back to the United States to look at trends in abstraction in the 1960s by viewing the works of Helen Frankenthaler,

Helen Frankenthaler "Mountains and Sea" 1959

Helen Frankenthaler "Mountains and Sea" 1952

and Morris Louis.

Morris Louis "Nun" 1959

Morris Louis "Nun" 1959

We closed the lecture by looking at op art and some work by Victor Vasarely and Bridget Riley.

Bridget Riley "Cataract" 1963

Bridget Riley "Cataract" 1967

Viewings:

Readings:

  • Chapter 20: Postwar European Art
  • Chapter 22: Sixties Abstraction

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We began the last quarter of the semester by discussing the shift of the art world to New York City after World War II.

We looked at the work of two artists who served as direct links to the new style of abstract expressionism: Hans Hofmann

Hans Hofmann, "Rising Moon" 1964

Hans Hofmann, "Rising Moon" 1964

and Arshile Gorky.

Arshile Gorky, "Garden in Sochi" 1943

Arshile Gorky, "Garden in Sochi" 1943

We then focused on the two primary sides of what is called abstract expressionism: action painting in the works of Willem de Kooning

Willem de Kooning, "Excavation" 1950

Willem de Kooning, "Excavation" 1950

and Jackson Pollock.

Jackson Pollock, "Lavender Mist" 1950

Jackson Pollock, "Lavender Mist" 1950

And color field painting in the works of Mark Rothko

Mark Rothko, "Orange and Yellow" 1956

Mark Rothko, "Orange and Yellow" 1956

We then went to the art gallery to begin our last in-class assignment.

Viewings:

Readings:

  • Chapter 19: Abstract Expressionism and the New American Sculpture

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We had our third exam today.

Next class we will begin Chapter 19 – Abstract Expressionism and the New American Sculpture.

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Today we reviewed the previous three weeks of the semester.

The third quiz will be on Monday, November 24th.

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